Approaching the murder mystery/thriller/crime fiction genre from every viewpoint from both sides of the Atlantic: reader, writer, editor, agent, librarian.
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Contributors

Donna Fletcher Crow

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Donna Fletcher Crow (US) is the author of 35 books, mostly novels dealing with the history of British Christianity. Her newest book is A VERY PRIVATE GRAVE, book one in The Monastery Murders.
www.donnafletchercrow.com

Fay Sampson

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Fay Sampson (UK) is a writer of adult and children's fiction and non-fiction, including A MALIGNANT HOUSE, #2 in the Susie Fewings series, a British Crime Club Pick.
http://www.faysampson.co.uk

Jan Greenough

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Jan Greenough (UK) is an editor, a ghostwriter (and co-author of over 20 books), and copywriter for a scientific and technical marketing agency.

Janet Benrey

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Janet Benrey (US) is the founder of the Benrey Literary Agency, representing more than 30 authors. She and her husband Ron have authored three series: The Glory, North Carolina Mysteries; The Pippa Hunnechurch Mysteries; and The Royal Tunbridge Wells Mysteries.
www.benrey.com
www.benreyliterary.com/

Tony Collins

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Tony Collins (UK) is an editor at Monarch Books/Lion Hudson.
www.lionhudson.com/divisions.php?division=monarch

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Welcome YA Author K. Dawn Byrd

By Donna Fletcher Crow ~ February 5, 2012

Today I'm doing a blog exchange with K. Dawn Byrd. K. Dawn is a multi-published author who writes romance, romantic suspense, historical, and young adult fiction. She's an avid blogger and interviews authors who give away several books per week on her blog at www.kdawnbyrd.blogspot.com. If you're the winner of a book, be sure and ask the author to sign it for you. So when you finish here, hope on over to her blog to read my interview and enter the drawing for A Darkly Hidden Truth. 

When she's not reading or writing, K. Dawn enjoys spending time with her husband of 16 years. Their favorite evening consists of a leisurely walk beside a gorgeous lake near their home while plotting the next story waiting to be told. 

Donna: K. Dawn, tell us about your new Zoe Mack series. What is the central concept of the series? The theme of your first book The Secret of the Love Letter?
 
K. Dawn: In this book, Zoe must learn to trust the guy she's in love with. He's caught some criminal charges and she can either believe the girl who has accused him of abusing her or she can fight to clear his name.
 
Donna: Tell us about Zoe. What will make YA readers fall in love with her?
 
K. Dawn: I believe readers will fall in love with Zoe because she's real. She's not perfect and she has insecurities just like the rest of us. For example, she lacks the curves of some of her friends and considers herself to be too tall and skinny.
 
Let's face it, we're all afraid of something. Snakes may make your skin crawl. A friend of mine is terrified of earth worms. Zoe is afraid of crickets and she faints at the sight of blood. In book #2, which will release in June, Zoe goes undercover in a blood bank. You can imagine what kind of challenges she faces when she comes up close and personal with one of her greatest fears.
 
Donna: What are the joys and challenges of writing for the YA market? I've heard it's a tough market to break into, why did you choose to take it on?
 
K. Dawn: My step-daughter, who is 22, loves to read young adult romance. She started recommending young adult books to me years ago and I found that I enjoy them also, as long as there's quite a bit of romance. For this reason, Zoe Mack is mystery that's heavy on the romance.
 
The young adult market is challenging to write for because they expect characters to be real. They expect characters they can relate to and situations that are believable. Young adults are smart and they know when an author is trying to pull something over on them. With my first book, Mistaken Identity, which was a young adult romance, it took me a while to get the voice right. That was a little bit of a challenge, but I must have done something right because several young adults have emailed to say that certain characters in the book reminded them of friends or acquaintances.
 
Donna: What other projects do you have in the works?
 
K. Dawn: I just finished book #2 in the Zoe Mack series, which will be out in June. I'm currently plotting book #3, which will be out in December. In April, a young adult romance called Shattered Identity, will release. It's the sequel to Mistaken Identity, which sold more copies than all my other books combined.
 
Donna: That's great, K. Dawn. Thank you for being my guest today and best wishes with your writing for young adults!
 
 

Donna Fletcher Crow (US) is the author of 35 books, mostly novels dealing with the history of British Christianity. Her newest book is A VERY PRIVATE GRAVE, book one in The Monastery Murders.
www.donnafletchercrow.com

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A Letter From the Great-Great-Great-Granddaughter of a Murder Victim

By Donna Fletcher Crow ~ February 1, 2012

One of the wonderful things about sending a book out into the world is that you never know where it will wind up. Writers are often advised to have an ideal reader in mind when they write, and my ideal reader is always the person who knows the most about the background of my story. I find that keeps me on my toes, always trying to keep my research as accurate as possible, always trying to be absolutely honest in my writing. But even with such an imaginary reader sitting on my shoulder, I've never imagined an actual descendant of one of my characters reading my work.

So you can imagine my surprise when I received an email asking if I had used "the murder of my great-great-great-grandmother (Catherine Bacon) in Chatham, Kent on 29th January 1855 as the inspiration for your book To Dust you shall Return."

Indeed, I had! Each book in The Lord Danvers series, of which To Dust You Shall Return, is the third, is about a Victorian true crime with a fictional crime woven around it. When I encountered the murder of Catherine Bacon in Victorian Studies in Scarlet, by Richard D. Altick (W. W. Norton & Co., 1970) I knew I wanted to tell that story.

That was in 1995, and now, 16 years later, with the Lord Danvers books enjoying a new life in their re-release as ebooks, I was hearing from Catherine Bacon's great-great-great-granddaughter Jane. Unfortunately, I was unable to answer Jane's query as to where her ancestress is buried— my research didn't extend beyond the trial— but Jane very kindly agreed to answer my questions which her query elicited.

Donna: Jane, again thank you so much for writing to me! I'm still in awe at the connection. How did you come upon To Dust you Shall Return?

Jane: In my attempt to find the burial place of my great-great-great-grandmother I have taken to searching on the internet every month or so, to see if anyone has posted a reference that might help. I don't necessarily use the same phrase and the one I used last, came up with a reference to "Frail, elderly Catherine Bacon has been murdered" which turned out to be for your e-book!

Donna: I'm wondering how it feels to read a book about the killing of your ancestress. I had the same question when reading The Suspicions of Mr. Whicher a Victorian true crime story about the Constance Kent case. The Kents were a very large family, so there must be descendants of Constance reading that very popular book today. Do you have a comment?

Jane: Had I not been aware of Catherine's murder, I suspect that I would have been mildly irritated that the name of an ancestress of mine had been used as the victim of what appeared to be a fictional crime! However, as I had read nearly one hundred newspaper articles about the crime and trial, I was simply eager to see if the author's research added anything to the knowledge I had already gained.

Donna: My research said that Catherine Bacon's husband Colonel Bacon was killed at Waterloo. I never found any reference to their having had children, and yet they must have for you to be her descendant. Can you fill me in on your family that I missed in my research? Also, do you know more about Colonel Bacon's army career?

Jane: Although I know of another two ladies named Catherine Bacon at about that time, neither were the one murdered in Kent. Co-incidentally the one married to an army officer was part of the Unitarian Gaskell family (into which the authoress Mrs Gaskell married) who are ancestors of my husband's family!). However, my Catherine was married to an Engineer who when younger had been personal private assistant to Sir Marc Brunel (you may well know him to be the father of the more famous Isambard K Brunel). Catherine and her husband Matthew had four sons, all of whom married. The eldest had no issue and I am descended from the second son.

Donna: the conections are fascinating! I've read many of Elizabeth Gaskell's novels and am a great fan of Isambard kingdom Brunel, we visited his museum in Bristol.
Ordnance Terrace in Chatham, where your ancestress lived, and apparently next door to where Charles Dickens lived for a few years, is still there. I wonder if you've visited it? Since you have that connection to the great Victorian writer do you enjoy reading his works, especially Oliver Twist, David Copperfield or The Pickwick Papers which are set in Rochester near to Chatham?

Jane: 130 years after the murder (1985) I visited Ordnance Terrace to photograph the exterior of Catherine's home. That was no mean feat as my research at the Local Record Office had informed me that the numbering of the houses had changed! It is frequently and incorrectly stated on the internet that Catherine was murdered in the house that John Dickens and family had lived in during that family's brief stay in Chatham. Catherine lived in her house 1813-1878 and between 1817-1820 the Dickens family's were neighbours in that same terrace of houses. Co-incidentally both families had previously lived in Portsea, Hampshire!
Although I admire Charles Dickens' descriptive powers and find them incredibly impressive, some of the judgements he makes of his characters verge on the cruel. Recently re-reading Sketches by Boz I was struck anew by the way Victorian humour differs from that of a twenty-first century reader.

Donna: Catherine Bacon had an extensive collection of silver and porcelain. As a matter of fact, that provided the motive for her murder. I'm wondering if any heirlooms of Catherine's are still in your family?

Jane: As a family we do have heirlooms but as the youngest girl in my family, my brothers and elder sisters naturally take precedence. There are many portraits, including one of Catherine's husband but regrettably no likeness of her. She must have been tiny as at the time of her death she was reported to weigh only four stone (56 pounds). From all the articles I have studied it appears that the thefts tended to be money, books, jewellery and clothing, all of which were easy to pawn without arousing too much suspicion.

Donna: What about family stories? Have personal recollections of her been passed down through the generations?

Jane: Catherine appeared on the family tree and although there has always been much talk of current and previous generations and their exploits, there had been none about her. Until 1976, when a cousin of my late father's ordered a copy of Catherine's death certificate, all we knew of her were her places of birth, marriage and death, her spouse and children.

Donna: From my research it appears that she was strictly teetotal, very kind and generous and somewhat casual in her dealings? Does that accord with family accounts?

Jane: As we know so little about Catherine, it is fascinating to learn that you gained that impression and had your research notes not been lost, I would have loved to know what led you to that conclusion. I too got the impression that she was generous and kind and the reports certainly suggest that her children were very fond of her right into adulthood; Her second son, who lived nearby, stated in Court that on the servant's evening off he would visit his mother so that she was not alone and after she had been so brutally murdered, he kissed her blood-besmeared cheek.

Donna: Jane, you wrote that "Extraordinarily a descendent of the [person] who murdered Catherine contacted me recently to let me know of the connection!" That is truly extraordinary! So have you been corresponding with the descendent of the murderer of your great-great-great-grandmother? I would love to hear more.

Jane: I did reply to the descendant, pointing him in the direction of the British Library's newspaper repository at Colindale, but have had no acknowledgement!

Donna: This was a most interesting case because ultimately the killer (who was unmarried at the time) was only convicted of theft, not murder. It's so interesting to ponder that your correspondent wouldn't exist if justice had been done. Any thoughts on that?

Jane: Extremely interesting. I tried to place myself in his shoes and wondered if I would have contacted the descendant of my ancestress's victim - I think not!
As I understand the case, there were three factors that enabled the murderer to cheat justice. Firstly, the composition of the jury (the abolitionist in their number), secondly, the fact she was a pretty young woman who looked even younger than her years and thirdly that she was such an accomplished liar. To have boasted of her deeds (stealing, lying [to some of her cohorts, she even suggested that she was a companion to an elderly aunt, which was why she had a right to the items she had infact stolen!] breaking her employer's trust and finally, axing to death one tiny elderly lady and going to enormous lengths to cover up the vicious crime.

Donna: Jane, thank you so much for being my guest today on "Deeds of Darkness; Deeds of Light." Is there anything else you'd like to tell us about the Catherine Bacon case or the effect it has had on your family, if any?
Jane: Thank you Donna for asking me to share with you my thoughts about the case and giving me a platform to put right some of the incorrect information that appears on the internet. Only too frequently, supposition is placed online and then treated as fact. In these times when amateur genealogy is such a popular pastime and the internet is so often used as a primary source, mistakes are made and perpetuated. Just a couple of those that I have come across are the Dickens family living in my great-great-great-grandmother's house and a great-uncle of mine supposedly married to his step-mother! Both are easily explainable. One because the house numbering had changed and the other because both the father and eldest son had identical names, but both completely untrue, then disseminated further afield by people who have not checked the veracity of the source documeent. 

Donna:  Research can certainly be a sticky wicket. I invite my readers to scroll down to      the  previous article in which Fay Sampson discusses another pitfall of researching family history.

Donna Fletcher Crow (US) is the author of 35 books, mostly novels dealing with the history of British Christianity. Her newest book is A VERY PRIVATE GRAVE, book one in The Monastery Murders.
www.donnafletchercrow.com

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OVER-ENTHUSIASM

By Fay Sampson ~ January 31, 2012

 

I share with Donna the delight in researching the background to my books. But, as I discovered recently, it is possible to get carried away by this.
 
I was still working on one novel when I began to get the itch to come up with ideas for another mystery in a series I am writing for a different publisher.
 
This involved background research on the cotton spinning and weaving towns of north-west England. This is my husband’s family background. So I had made many visits in the days when his parents lived there.
 
This time, I had more specific objectives. The story I plan to tell interweaves the Industrial Revolution of the 19th century, when handloom weavers were being put out of work by cheaper mass production of the cotton mills, and a modern crime set in a decaying town where the cotton industry has run its course. I wanted to visit some of the few mills which remain as working museums. Ideally, I would have waited until I had finished the revision of the novel I was already working on. But autumn was drawing on and some of the places I needed to visit closed for the winter.
 
So Jack and I took ourselves off to Lancashire. We had a wonderful time. We were both thrilled to see looms and spinning machinery in action, steam engines and water wheels still working, to hear the stories of the millworkers and learn the arduous and dangerous work done by children. To me it was raw material for the book, to Jack it was a window into the way his mother, and generations of his ancestors, worked.
 
I came home full of enthusiasm. I should have put my notes and photographs away and finished the other book I was now revising. But you know that feeling when you have got up a head of steam and you just have to forge ahead.
 
I seemed to have a viable plot. I don’t map out everything beforehand. Often the twists and surprises that occur in the heat of the writing are better than things you think up in cold blood beforehand. The writing went at a cracking pace. Before I knew where I was, the end was looming before me. But I realised with dismay that the book was only going to be two-thirds of the length I needed. By failing to give the book long enough to mature in my mind I had swept through my plot material without the usual twists and turns which usually occur without my planning them.
 
Don’t panic, I told myself. There is more story in there. You just haven’t taken the time to tease it out and explore it. At the last moment, what I had hoped for happened. A new character suddenly appeared in the climax scene. As soon as I discovered him I knew that he had been there all along. Who else could have been driving that car which had appeared to be a red herring? There had to be several new scenes further back where he met the protagonists. A whole new strand in the story was unravelling.
 
And what about that ancestor who had first attracted me to write this story? The handloom weaver who had reinvented himself at the Industrial Revolution as a herbalist. Surely he needed to play a bigger part in the story?
 
Cue the neighbour of the cousin with whom my protagonists were staying. He’d had no more than a mention before. The moment he came visiting he began to take shape. An industrial chemist, put out of work by the recession. And chemistry was proving to have links with the past, in the medical botanist’s concoctions, as well as with the plot in the present. It’s lovely when ideas occur to you instinctively and then prove to have tie-ins with the rest of the book which you hadn’t consciously planned.
 
I was taking a risk. I should have been more patient. But for a creative writer, over-enthusiasm can be more productive than cooler common sense.

Fay Sampson (UK) is a writer of adult and children's fiction and non-fiction, including A MALIGNANT HOUSE, #2 in the Susie Fewings series, a British Crime Club Pick.
http://www.faysampson.co.uk

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"A Memorable Mystery Novel"

By Donna Fletcher Crow ~ January 9, 2012

First the shouting and champagne cork-popping (or at least a can of Sprite) and then the nail-biting. After all the months of planning, researching, writing, editing, rewriting, comes the waiting. Then you see the page proofs and the cover— something akin to seeing the photos from an ultra-sound. Then more waiting. At last the book launch. And there is much rejoicing.

Only to be followed by more waiting for the reviews. What if, after all that— months, maybe years of your life— nobody likes it?

All of which helps explain my deep joy, gratitude and relief for the review I received today from the award-winning, highly respected mystery writer Radine Trees Nehring, author of the "To Die For" mystery series. http://www.RadinesBooks.com

What do you expect from a memorable mystery novel?  

No matter what your answer, you'll find and treasure it in the pages of A DARKLY HIDDEN TRUTH by Donna Fletcher Crow. 

Felicity Howard is an American college student who has decided she wants to study for the Anglican priesthood at the College of the Transfiguration in Yorkshire, England. In this novel we see that Felicity is impulsive, unsettled, often judgmental.  She is also a dear person I couldn't help wanting to mother. She frequently ignores the advice of wiser heads, but is intelligent, and, when she stops to think, a caring friend. Even if mercurial, she is a sincere pursuer of spiritual values and solutions. 

As this novel opens, Felicity has decided she wants to become a nun, and is ready to head off for a test of her new vocation by visiting various convents in England for brief stays. The news dismays Antony, her history lecturer at the college, who has fallen in love with her. Felicity ignores this, and is ready to rush off into research for her current "calling."  

Her plans are altered when a valuable Russian icon disappears from the college, along with Neville, a young man who has been a good friend. Father Superior Anselm asks Antony to locate the icon and the thief, assumed to be Neville. Felicity is drawn in, hoping to clear her friend's name. 

That's the setting. The remainder of the novel is a rich banquet of British and world history, landscape, and architecture, added to the pursuit of clues in dark, damp, remote, and dangerous places. I especially enjoyed the study of complex human emotions, motivations, and mis-understandings. Felicity's family history and her antipathy toward her mother come to the surface when her mother arrives for a visit in the middle of the turmoil, and is injected into the race to find the icon and solve accumulating murders. 

This is not a quick read.  Though it's possible to skim some of the history--both secular and religious--most readers will, I believe, value the learning experience, as I did.  (Donna Fletcher Crow is a meticulous researcher and sharer.)

 All I'll say about the ending is that it's satisfying, but surprises and danger abound until the final page. I did guess the villain before the story revealed (him? her?) but knowing only added to the suspense!  (You know how it is--you want to scream at the protagonist, "STAY away from that person!")
 

Donna Fletcher Crow (US) is the author of 35 books, mostly novels dealing with the history of British Christianity. Her newest book is A VERY PRIVATE GRAVE, book one in The Monastery Murders.
www.donnafletchercrow.com

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